Victor Merriman: Professor of Critical Performance Studies, Edge Hill University
Victor Merriman is Professor of Critical Studies in Drama at Edge Hill University. He is Director of the Performance and Civic Futures Research Group (2013-), and a founder director of One Hour Theatre Company (2016-). He publishes on Irish theatre, postcolonial criticism, public policy, pedagogy, and cultural theory. He has published two monographs, Because We Are Poor: Irish Theatre in the 1990s (Carysfort Press, 2011), and Austerity and the Public Role of Drama: Performing Lives-in-Common (Palgrave Macmillan, 2019). He has edited special issues of the on-line journal Kritika Kultura (http://journals.ateneo.edu/ojs/kk; Issues 14; 15 (2010); 21/22 (2013), and co-edited ‘Cultural Responses to Crises in Urban Democracy’ (30: 2018)). He was appointed a member of An Chomhairle Ealaíon/The Arts Council of Ireland, by Michael D Higgins, now in his second term as President of Ireland. In that capacity, Professor Merriman chaired the Review of Theatre in Ireland (1995-6). He is a member of the international advisory boards of Unitas, Perspectives in the Arts and Humanities Asia, and the British Association for Irish Studies. He has credits as a performer, director and dramaturg, including David Lloyd’s The Press, performed at the University of Ateneo de Manila, in July 2009.
Elena Marchevska: Dr. and Senior lecturer in Drama and Performance,
London South Bank University
A practitioner, academic and researcher interested in creating work that can help us to think through
new historical discontinuities that have emerged in post-capitalist and post-socialist transition. This is
ever more relevant at a time when the Eurozone is fragmenting, and right wing populisms are on the rise.
In addition, A researcher, she writes extensively on the issues of belonging, female body and the border and intergenerational trauma. Her artistic work explores borders and stories that emerge from living in transition. Ultimately, she is interested in creating and researching work that provides means by which people can meet, human to human, in all their differences, in the most sensitive and sincere way possible.
Alexandrina Hemsley: Choreographer, dancer, writer and facilitator
Alexandrina has recently founded her own organisation Yewande 103. Yewande 103 formalises the past 10+ years of Creative Director Alexandrina Hemsley’s work in the contemporary dance field as a choreographer, performer, writer, mentor and educator.
Alexandrina Hemsley’s practice is shaped by the morphing disciplines of dance, dance for camera, live art, theatre, mentoring, creative and critical writing. Driven by an interest in fracturing, connectivity, displacement & emotionality, they hope to find and share ways of expressing felt, lived realities. They work with intricate improvisation scores and vivid performance environments which insist on conjuring embodied enquiries into a multiplicity of voices. This includes work within organisations around anti-racism, anti-ableism and embodied advocacy. It is a life-long, nuanced undertaking. Alexandrina is Associate Artist at Cambridge Junction, Board Member of Chisenhale Dance Space and International Associate Artist 2020/21 at
Dylan Quinn: Artistic Director, Dylan Quinn Dance Theatre
Dylan Quinn and has been working as a Choreographer, Dance Artist, performer and facilitator for over 26 years. In 2009 he established Dylan Quinn Dance Theatre (DQDT) and has operated as Artistic Director for the last 11 years. Dylan has created numerous company performances and commissioned works for a range of dance and theatre companies and was Irish Times Theatre Award Nominee 2018. Dylan’s work has been presented nationally and internationally across Europe and the US.
Dylan has performed and undertaken a wide range of community and education projects across the UK, Ireland and Internationally. He has development a particular focus on creating work that explores the
context around the border in Ireland, i’s impact and highlighting the experiences of these living in border communities. He has undertaken a range on innovation projects involving performances on the border in
live and film formats.
Dylan has been instrumental in initiating the We Deserve Better social engagement movement in Northern Ireland, highlighting the inadequacies of the political system. As a development of the movement he has established the Conversations NI platform, engaging people from a range of backgrounds in conversations that are important to them and to their community.